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“There’s no plainer way to say it: I write about monsters.

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Illustration by Lucia Calfapietra for Read It Forward.com 2019

As in wolves that walk on their hind legs, Bigfoot, and man-bats—the spooky stuff that pounding hearts and cold midnight sweats are made of. Upon learning what I do, most people assume I’m 6-foot-3 and spend my time clomping around forests with a rifle and a rucksack, hunting for phantom animals. They’re always disappointed to learn I’m closer in size to a Hobbit than I am to Paul Bunyan and that I carry a camera rather than a machete. (I do clomp around in forests every chance I get.)

Some expect me to resemble a woodsy goth. “You look like you could be somebody’s mom,” I’ve heard young fans moan. I am indeed the mom of two somebodies, and happy for it. But the fact that I seem so ordinary may be why every interview I’ve ever had starts with something like, “So how did a rather short art teacher/journalist from Wisconsin turn into a werewolf investigator and author?”

Truth? It’s not just about the monsters. It never has been just about the monsters, as much as I adore their rippling, furry muscles and their fangs all-a-glisten with viscous drool. No, there’s something more intrinsic, something monster-like that we’re all on watch for in this world because we know it exists even if we won’t admit it. Stories and folk tales are full of this mystery factor, and they can serve to make us aware there’s a monster in everyone’s life. But sometimes the monster just stands and introduces itself.

It surprised me as much as anyone when, in 1992, I wrote a newspaper article on an alleged werewolf-like creature seen by eyewitnesses outside a small town in Wisconsin, and the story blew up worldwide. The universe then turned its astonished, glowing eyes my way, and the “hunt” ended up taking over much of my life. Somehow the creature just never seemed as strange to me as it did to most other people, and I credit a few special childhood books that I believe helped make it so.

One of these books made me decide at age 3 that I wanted to be an artist and writer, but again, it wasn’t for the love of bears, ghosties, or wolves jeering at little pigs in fragile houses.

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This book’s protagonists were two feisty kittens named Hush and Brush, who invented every color ever seen by men or angels and went off to paint the world. I remember begging my mother to read it over and over because this story, Margaret Wise Brown’s 1949 The Color Kittens, showed me both the power of words and the miracle of color. It was as close to a religious experience as most 3-year-olds can have. And I’m not even a cat person.

Despite that fact, it was another cat tale that would give my world its second wakeup call. At Herbert V. Schenck Elementary School in Madison, Wisconsin, in 1957, I was 6 years old, lying on my kindergarten nap-mat waiting for the teacher to read us something dull. Then she announced the day’s story: The Cat in the Hat, by a man with the funny name of Dr. Seuss.

Cat? Hat? I perked up, and by the time she’d finished the first couple pages I was entranced in a state of joyful shock—not only at the rhymes but at the audacious rhythm, the unsentimental artwork, and the ludicrous Cat, who seemed more sinister than saccharine. Most riveting was the scary premise of the story: Mother leaves two children alone, extremely weird character enters the home, wreaks havoc, calls in two even stranger characters that go wild on the place, and then somehow the whole mess is cleaned up and the mother never finds out. Only the goldfish knows.

The teacher had read us many books, but this one felt completely new. I didn’t realize at the time, of course, that this was exactly what Dr. Seuss, aka Theodore Geisel, had been going for when he was asked to create a children’s book that would make young kids want to read. But it worked on me. I felt the power. The Cat was a creepily benign monster, and I understood that intuitively, as young children do.

There have been other books that opened unexpected worlds. One of my favorites, by Katherine Gibson Isobel Read, was simply called Fairy Tales. Its cover illustration showed a small group of children sitting at the feet of a storytelling elf, watched over by an enigmatic and beautiful fairy. The back cover completed the scene with a high hill topped by the requisite castle and towers. I looked at this illustration so long and often that I wore the binding off the book.

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My drawing of a rather stately fairy and elf quartet done in 3rd grade, age 9.

I didn’t believe fairies were real, but I wished very hard that they were. My sister and I invented a make-believe fairy universe of beings that lived in the clouds by day and danced in streetlights at night. They had magnificent wardrobes of gowns and tiaras, and left their tiny, polished teeth in a nearby quarry where we would spend hours hunting for small quartz pebbles. This world was strangely devoid of monsters, though there are many adult folk traditions that see fairies in an ominous light.

Together these books fused art, words, and unknown creatures into a corner of my youthful mind that always made me think, What if? Their message was a promise that though strange things may happen, and that these things may bring disorder to our lives—and though there may, indeed, be monsters—we’re strong enough to face the unknown beasts, clean up the messes, and leave some beauty in the world.

It was for the love of those books that I dared to write about werewolves, and still do.

See this and other essays at Read It Forward.Com!

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I’d really rather stay on the viewer’s end of the binoculars when folks are discussing cryptid or unknown creatures, but this article “Do You Have a Werewolf Problem?” by the Trib’s Chris Borelli places me firmly on the “focus–zoom in–speculate” side of field equipment and monster tales. It’s a fun piece of writing (although I’m pretty sure I said the 60# deer left NO drag marks, and how is just turned 68 “nearly 70?”) but overall it’s a good representation of the last 27 years or so, and I’m very grateful to Chris, Chad Lewis, and Loren Coleman for their kind remarks and analyses. Stacey Wescott also created some inspired visuals that help tell my unexpected tale.

I would also be remiss if I failed to thank an alligator that recently kickstarted the whole thing by showing up in the Humboldt Park lagoon, sending Borelli in search of explanations.

The alligator also had impeccable timing as my new book, I Know What I Saw, was just released July 16 and I’m speaking and signing books in Chicago at The Book Cellar in Lincoln Square July 25, 2019 at 7 pm. And no, I was not the one who put the alligator in the water. But as I’ve learned from this occupation–and preoccupation–of mine, strangeness is everywhere, and once in a while it does you a kind turn or two.

Here is the link to chomp onLindaTribStone: https://www.chicagotribune.com/entertainment/ct-ent-linda-godfrey-cryptozoologist-0725-20190724-fcoddjwfwzg7fne6ljmldutaae-story.html

 

 

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I Know What I Saw is now out to be seen! 

This week, starting 7-20-2019 also see Inside Edition.com‘s  rerun of their original vintage episode of the Beast of Bray Road, plus a more current interview they did with me a few weeks ago to update the old beast. Next week, watch for a full feature story in the Chicago Tribune in the online section and then the print version on that Thursday.

Also new indie film out this fall, RETURN TO WILDCAT MOUNTAIN; Wisconsin’s Black Panther Nexus.  (click to see trailer and watch for release news, or see Facebook @whitelhasa’s Return to Wildcat Mountain page.) 

 

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Black Panthers in the Midwest? NEW FILM TRAILER RELEASE:  Return to Wildcat Mountain; Wisconsin’s Black Panther Nexus

 

 

 

 

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At first blush it seems a waste: a mountain lion’s paradise, empty of lions for almost 100 years. But nestled among the rocky crags and lush valleys of this small area in west central Wisconsin, around 150 eyewitnesses say the big cats also known as pumas or cougars are returning – indeed, have already returned — to their old lairs and watered woodlands. Both tawny-colored and, surprisingly, black-furred big cats now strut these rolling hills. Why surprisingly? Scientists say they don’t exist!

cows and barnWhite Lhasa Studios LLC (producers Linda Godfrey and Steven Godfrey) presents the trailer to a new film that tells this story of the returning cats and the people who have witnessed them firsthand.

An area reporter says the eyewitnesses are sure of what they’ve seen. Wildlife officials say most are mistaken. The residents, who range from retired police officers to Amish farmers, beg to differ. The cats are back on Wildcat Mountain, they say, and this time, they show no signs of leaving.

Please follow and like if you enjoy it. The film will also illustrate and correlate with a large chapter in my forthcoming book (see earlier post) “I Know What I Saw,” Modern-day Encounters with Monsters of New Urban Legend and Ancient Lore.”

The first scheduled showing of the documentary (rough cut) will be June 8 at the Marinette Menominee Bigfoot Conference. Watch here for updates and our fast developing schedule.

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It has a cover! And can be preordered, and is totally written. It even has pages up such as  the publisher’s at https://www.penguinrandomhouse.com/books/565784/i-know-what-i-saw-by-linda-s-godfrey/9780143132806/   Alas, the final production will take a few more months incubation at Penguin/Random House, but I’m hoping the results will be worth it. Also, there will be a documentary film launched at the same time of the book, with a trailer reveal to be announced. And it isn’t about dogman. Not that there’s anything wrong with dogman. Watch here for links to the trailer, hoping in a month or so. Happy New Year!!!

 

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BigfootheadJust out, a new CNN article that features some eyewitnesses from my books and interview questions with me as well. It’s great to see some even-handed reporting on this topic.

Also, getting close: this weekend, Sunday Sept. 3 is the International Cryptozoological Conference in Portland, Maine! Tickets still available at the door. I’ll be speaking around 11 am and will be at my table to sign books and chat the rest of the time. Totally excited to be on this roster of speakers and to take my first trip to Maine! Hope to see some of  you there!

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I like to release book reviews in twos, for some reason. I think it’s because when I finish reading one really good book, it piques my appetite for another great read right away.

This time I’m pairing Ken Gerhard’s A Menagerie of Mysterious Beasts and Barton Nunnelly’s Mysterious Kentucky, the Dark and Bloody Ground. These two gentlemen, and I mean that in the highest sense of that word for they are both truly gentlemen, have each written a book with the word “mysterious” in the title and a wide swath of unexplained beasts and phenomena cavorting through the interior pages. While Gerhard goes global, however, Nunnelly sticks to his home turf of Ol’ Kentuck. Together or one at a time, these books provide a rich harvest of unknown tidbits that will have readers gobbling every word Gerhard and Nunnelly have served up. To quote the immortal request of Charles Dickens’ urchin Oliver Twist, all I can say is, “Please, sir[s], I want some more.”

A Menagerie of Mysterious Beasts; Encounters with Cryptid Creatures by Ken Gerhard

Most people probably wouldn’t consider a quiet cluster of children more frightening than, say, a modern day version of a werewolf – until they look in the children’s eyes and Scan_20170428see only glistening black pools. At that point, for me, the Black-eyed Kids or BEK’s gain a few points on the mysterious creature horror scale. These and other creatures that are not your grandfather’s monsters are discussed alongside more traditional entities in Ken Gerhard’s “A Menagerie of Mysterious Beasts.” Readers will find themselves contemplating the Polish Wilkolak, sort of a vampire/werewolf combo, for instance, or pondering whether a photo of an alleged Chupacabras is truly a depiction of the blood-sucking goat killer or something else that simply appears otherworldly but has a mundane explanation.

Mundane is not a word I’d use to describe any part of this book, however. Whether readers are newbies still wrapping their craniums around the vast array of beasties, or seasoned enthusiasts seeking to hone their knowledge of favorite cryptids or catch up on the latest reports, Gerhard’s ghoulish gathering provides an irresistible gateway to the unknown. It’s a volume I’ll be keeping close at hand.

Mysterious Kentucky, Vol. 2; the Dark and Bloody Ground by Barton M. Nunnelly

20170410_211045This is it…the book I and many other fans of Mysterious Kentucky, Vol. 1 have been pining for Barton Nunnelly to finish and deliver. Well, he has at long last delivered, and how!!

Mysterious Kentucky, Vol. 2 covers more strangeness of each area of the huge state Native Americans considered cursed land, from historic lore to present day happenings. And joy of joys, the section on Kentucky Bigfoots alone comprises 118 pages of pure Sasquatch encounter bliss. It’s a hefty tome, packed chockablock from the first story which concerns, appropriately, Kentucky’s first people, to the last entry, Kentucky’s Chernobyl! The book must be seen and held to convey just how info-dense and well organized it is.

Nunnelly is also a gifted artist, and his illustrations enlighten the research and careful writing that take this book to the level of must-have permanent collection shelf of my personal library. The sense of immersion in the Blue Grass State is so complete, I almost looked around for a few blades of teal-colored grass as I sat and read. And as spooky as Nunnelly has revealed Kentucky to be, I wouldn’t be at all surprised to find a few stems materialized on my bookshelf. After reading this book, I can guarantee stranger things have happened.

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